With a Master of Fine Arts in making dances (Choreography),
I have shaped a strong multidisciplinary aesthetic. The richness in scope of the Vedic and Hindu sacred
art is deliciously compelling for me. It is comprehensive across the disciplines
and in its ancient depths, layered with multiplicities of symbols and images.
An epiphany this morning grants me the understanding of why
my practice is moving mostly to chanting: it is the way I can go to and sustain
being in my heart. I must have a place to go again and again as a reminder. The
easiest part is that no matter where I am in my day in a breath I can begin an
inner or outer expression! Amazingly this shifts me out of my mind every time. The
resonance of Mayan Elder Don Wandering Wolf’s statement “the longest journey is
from the head to the heart” (from the film Shift
of the Ages) helps me see my immediate path. And the chanting is the Word,
the sacred syllables and seeds of manifestation.
Reading and re-reading the Ramayana, also today I connect to
the art form of storytelling and the way I am drawn completely into that realm with
the detail and the lusciousness of pictures in my mind. Then weaving these
threads into me, I find where the truth is in my experience. Right now the
connection of mantras to the most powerful and deadly of weapons, the astras,
demonstrates again the power of the WORD.
Writing is weaving and integrating into and around my tapas,
both as practice and reflecting on practices. Bhakti Bhakta am I. My work is to
create a Love Song. My dedication is to the Mother, to Gaia, Pacha Mama, Tierra
Madre, Earth. The task at hand is to be a little less precious about what I post on this blog and to simply keep showing words in progress. Svaha!
SRI! Photo by Sarah Tomlinson www.yantratecture.com
SRI! Photo by Sarah Tomlinson www.yantratecture.com